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Yash Gandhi

Filmmaker/Performer

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Little something about myself...

I’m a storyteller and filmmaker who cares about work that moves people and still delivers what the brief needs. I’ve directed, edited, and produced across indie and commercial projects, building lean crews and clean workflows to get from script to final master without drama. A dancer first, I bring rhythm and timing to the frame and the cut—pace, breath, and musicality shape my choices.

My films aim to inform and inspire. I draw on mass communications, politics, sociology, and psychology to make stories that teach something without preaching. I’m comfortable on set and in post: script breakdowns, call sheets, continuity, performance shaping in the edit, and finishing for trailers, ads, and narrative work.

If you want creative that has heart and a schedule that holds, let’s talk. I’m here for purposeful stories, clear plans, and teams that enjoy the work. Send a note—let’s build something that sticks.

Director / Editor

  • I direct and edit narrative shorts and brand spots end‑to‑end, blending a dancer’s sense of rhythm with a clean, data‑aware workflow to deliver work that moves people and meets the brief.​

  • I build lean crews, set clear schedules, and keep budgets on track so productions ship on time without drama.​

  • I handle story consulting, script breakdowns, call sheets, continuity, and on‑set leadership when needed.​

  • Editing strengths: structure, pacing, performance shaping, and finishing for trailers, ads, and narrative pieces.​

  • Toolbox: production coordination through post pipelines; equally comfortable on set and in the edit.​

  • Played in theatre blending movement and voice; trained dancer with strong timing and musicality that feeds my directing and editing choices.​

  • Ensemble collaborator with directors on blocking and beats; experienced leading post‑show workshops and audience talkbacks.​

  • Comfortable on stage and on camera; performance instincts help pull truthful moments from actors and shape the cut.​

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